A Saint in the Making: Ben Yalung’s Upcoming Film on Venerable Archbishop Teofilo Camomot
Ben Yalung’s comeback film will be about Venerable Archbishop Teofilo Camomot
Ben Yalung, the filmmaker behind religious-themed movies Kristo and Ama Namin, is back again with a full-length feature to be shot this 2025. The film is about Venerable Teofilo Camomot, a Cebuano archbishop who has touched the lives of many through his life of miracles and pious work.
Known to many as Father Lolong, Camomot was ordained a diocesan priest of the Archdiocese of Cebu in 1941, and finally a coadjutor archbishop in Cagayan de Oro in 1958. The movie, to be written by Celso de Guzman, will be in the vein of classical religious movies such as The Passion of the Christ and The Ten Commandments, taking the serious, evangelical route in hopes of spreading the gospel through the movie.
The biopic will focus on the humble beginnings of the archbishop during his childhood to adolescence, and finally as a priest serving God and his community. The lead actor is yet to be casted, but Yalung and other media personalities have mentioned the names Paulo Avelino, Cedrick Juan, Coco Martin, and Piolo Pascual. “One thing’s for sure, the actor must be religious himself,” Yalung emphasized.
The filmmaker also teased other upcoming projects, such as the sequel to Kristo and a film on the Lipa apparitions. Aside from film, he also gave some updates on his other initiatives, like the Asia Pacific Film Institute (APFI) and Emmanuel Television Network Philippines (ETVN). The former is a film school that offers “à la carte” classes and 6-month courses for those who want to pursue a career in the industry, while the latter is a platform for the faithful, with a variety of content on Catholicism.
MORE LOCAL NEWS
“Anong klaseng pagmamahal ang kaya mong panindigan?” Latest JoshLia romance film the Cathy Garcia-Sampana-helmed ‘Always Yours, Never Mine,’ premiered its trailer last September 18. Cast members in attendance reflected on the romantic questions they hope it will bring out of audiences.
Unleashing their Pinoy voice chakras and giving their full 200% hataw on stage, Live A.I.D.S. 36 set the stage for UP SAMASKOM’s annual comeback before a rainbow-colored ocean, ever so giving the spotlight to the nation’s main vocalists — its people — belting out critical social commentary through comedy and satire.
In a region where the silent but persistent film culture resides, the first-ever release of the Saliduwa Film Fest transformed the City of Baybay into an avenue of experimental playground for local cinema.
Running from May 16 to 17 in Baybay City, Leyte, Saliduwa Film Fest debuts as a playground for playful and experimental films from Eastern Visayas and throughout the country.
MORE FILM REVIEWS
The latest offering from DC Studios takes a horrifying route as ‘Clayface’ brings one of Batman’s rogues’ gallery to life in its menacing, melting form, letting loose and embracing the body horror sub-genre.
Something is frustrating about a film so convinced of the power of exposing wrongdoing when history shows how little exposure alone can accomplish. Aaron Sorkin’s ‘The Social Reckoning’ has worthwhile intentions, but its faith in journalism and institutional accountability limits its criticism of Facebook. For a story about accountability, it seems reluctant to acknowledge how easily institutions survive the truth.
‘Multwoh (Patay na Patay Sa’yo)’ is a standout Puregold Cinepanalo Festival darling. It is adorable and fun, well-marketed to its intended audience, led by a charismatic cast, and offers a universally feel-good story yet nuanced for the queer community. Flowers for first-time leading lady Sassa Gurl is well-deserved, but the film generated more buzz than it needed.
Lance Oppenheim’s ‘Primetime’ suggests that moral certainty can reveal something ugly in the people who possess it as easily as in the people they condemn. Human beings want justice, but we also enjoy the relief of knowing exactly who the villain is, especially when that certainty allows us to feel innocent by comparison. Hansen spends the film looking across the room at men he believes have exposed their true nature; by the end, the camera has turned the same question back on everyone watching.
Disaster becomes easier to live with when responsibility can be distributed until no one feels personally accountable for what happened. ‘Digger,’ directed by Alejandro G. Iñárritu, is most interesting when it examines that instinct, especially the human desire to turn catastrophe into argument, entertainment, or history rather than confront the choices that created it.
MORE TV REVIEWS
The disarmingly unassuming aesthetic of ‘Botan Kamiina Fully Blossoms When Drunk’ belies an unabashedly sapphic, interpersonally insightful, and wholeheartedly genuine craftwork that believes in the capacity of alcohol, art, and a lot more to help light the way in the increasingly widening pathway of college life.
More dispensable than diabolical, the final season of ‘The Boys’ is another example of contemporary television’s growing paradox: the longer a series tries to stay in the game, the less certain it seems of how to stick the landing.
‘Big Mistakes’ is a fun, if patient, comedy that demands your patience at first, but is quite the thrill and will give you satisfaction in exchange for your time. If you loved ‘Schitt’s Creek’ and miss Levy’s signature brand of cringe-with-a-heart, this is worth checking out.
‘Peacemaker’ Season 2 marks a brave and bold outing for the DCU — one that emphasizes character development, with the cross-dimensional adventures serving as both a backdrop and a slingshot toward the universe’s future.
With both its sharpest writing and structuring in years, this year's eight-episode run is Sunny at its most character-centric, hilarious, and relatively grounded. Still would've wanted more episodes, though.


Being excited, honored, and pressured (the good kind) may seem like generic emotions for an upcoming film production, but to the cast and crew of Ilaya Ilaya Studio’s ‘Birdsong’ it is a rare omen for pioneering plights never before soared.