HALUHALO: THEATER
All About ‘Bar Boys: The Musical’ 2025 Rerun at Arete
Still deciding whether to catch its rerun at Arete? Here is everything you need to know about this production.
‘Walang Aray’: Musical Theater For Love, the Country, and the Filipino Seeking a Future Classic
Love stories are one of the country’s most iconic expressions of art. Whether it’s the love yearned for between Crisóstomo Ibarra and Maria Clara, or the love stories on the silver screen, to be Filipino is to talk about love. Walang Aray, a love story between two people on the surface that expands to look at the love everyone else around them fights for, is one of those works that announces itself as one of the definitive Philippine love stories staged in modern-day.
The spectacle of ‘The Bodyguard The Musical’
The performances are definitely highlights of The Bodyguard The Musical, but no amount of “I Wanna Dance With Somebody” encores can save this production.
‘Para Kay B’: All About Lucas
The play is ultimately the confrontation of the male writer and the power of literature. It can create worlds and transport you into them.
The Worth of Words in 'Pingkian: Isang Musikal’
'Pingkian: Isang Musikal' is a rousing spectacle that remains grounded in its revolutionary spirit.
On time and grief: Scene Change’s ‘3 Upuan’ and ‘Dagitab’
There are numerous works of art surrounded by the topic of grief in hopes we can come to terms with it. What we learn is grief and the passage of time while dealing with grief are different to everyone. In the two recent plays from Scene Change, 3 Upuan and Dagitab, these two forces are the primal focuses. Both plays, written by Guelan Varela-Luarca, handled the themes in different ways and were done with care and knowledge about the themes.
Come look at the Freaks: The relevance of ‘Side Show: The Musical’ today
The product of Sandbox Collective’s efforts is a more humanized look at each character in the show and every decision they made for this production is made with empathy and understanding.
Everything About The Sandbox Collective’s ‘Side Show’
The musical has been staged several times since then, including here in the Philippines. Now, it will make its return to the Philippine stage this July. While anticipating its comeback, here is everything you need to know about this production.
O ye of little faith, watch 'Grace'
‘Grace’ is a moving work that resonates with our history as a nation of devotees whose religion wasn’t endemic to our land but whose faith is like that of a mustard seed.
Resilience of Humanity and of Those Who Come From Away
The beauty of humankind is found in compassion, and ‘Come From Away’ displayed this wonderful act of goodness.
The Playbook Club’s Twinbill ‘First Love, Last Love’: A Bleak Take on Love and Relationships
Rafael Jimenez’s twinbill ‘First Love, Last Love’ tackles the immaturity that accompanies inexperienced love. That love, like everything else, is shaped by forces outside one’s control: future events, societal laws, and government policies.
Unearthing the Memories of Our Formative Years in ‘Virgin Labfest XX’s Set A: Bubot’
The first set of every festival teases us with what to expect moving forward, but it’s never a concrete indicator of what will happen next. Much like in real life, our childhood experiences may shape our future but do not necessarily define them. Aptly titled ‘Bubot,’ the first set of Virgin Labfest’s 20th season immerses us in stories mostly associated with our formative years. Bubot—a term closely tied to immaturity and underdevelopment—captures a moment that once existed, before and during our early teens. This set forces us to revisit a time repressed by college and work, resurfacing memories indiscriminately: the good, the bad, and the so-so.
Jon Santos shines in ‘Bawat Bonggang Bagay’
‘Bawat Bonggang Bagay’ proves that Santos is a force to be reckoned with, having an arsenal of ‘Yes, and’ along with his unwavering wit.
What ‘Choosing’ means for Liza and Ice
In this Pride Month special, we talked to Ice Seguerra and Liza Diño-Seguerra about ‘Choosing (A Stage Play)’ and how it breaks the stigma on the challenges that LGBTQIA+ couples go through, embracing all the decisions they make like broken fragments in kintsugi.
Omigod! Ateneo Blue Repertory’s ‘Legally Blonde: The Musical’ Was Perfect!
Ateneo Blue Repertory has consistently been putting out spectacular musical productions and their production of ‘Legally Blonde: The Musical’ was beyond perfect.
Sh*t, We Really Aren't Kids Anymore
Watching the Barefoot Theatre Collaborative's ‘We Aren’t Kids Anymore’ was an emotional journey as an adult still figuring it all out. Sometimes we just need a piece of art that makes us feel seen and heard, for someone to tell us that we'll get through it.
Recognizing and Conquering the Real Enemy in ‘In the Eyes of the People’
As we enter the midterm elections, CAST PH & Mad Child Productions’ recently concluded collaborative production 'In the Eyes of the People' reminds us of who the real enemy is—and how to overcome them.
The Case for Mother Earth: 3 Stories From Katipunan’s Theater Scene
The battle of Katipunan takes a three-week intermission as Dulaang Unibersidad ng Pilipinas and Tanghalang Ateneo unite in the name of theater for their respective season-ender productions.
‘Kisapmata’ REVIEW: To Remember, to Never Forget
Tanghalang Pilipino’s ‘Kisapmata’ reminds us that in allowing ourselves to live on, we allow ourselves to remember—to never forget—and to continue retelling the story.
Stage is the Perfect Medium for 'Anino sa Likod ng Buwan'
Watching the film with the knowledge of the play finally being staged this year, I kept agreeing with that decision: maybe theater is the perfect place for ‘Anino sa Likod ng Buwan.’