HALUHALO: THEATER

In SLU-CCA's ‘The Hunchback of Notre Dame,’ the Top of the World and the Court of Miracles Meet in Baguio
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In SLU-CCA's ‘The Hunchback of Notre Dame,’ the Top of the World and the Court of Miracles Meet in Baguio

Religious institutions don’t often embrace narratives that question power from within, yet Saint Louis University’s Center for Culture and the Arts (SLU-CCA) dares to do just that. Through Disney’s The Hunchback of Notre Dame—adapted from The Hunchback of Notre Dame by Victor Hugo, with music by Alan Menken and Stephen Schwartz—the production unfolds as both spectacle and social commentary.

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Unearthing the Memories of Our Formative Years in ‘Virgin Labfest XX’s Set A: Bubot’
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Unearthing the Memories of Our Formative Years in ‘Virgin Labfest XX’s Set A: Bubot’

The first set of every festival teases us with what to expect moving forward, but it’s never a concrete indicator of what will happen next. Much like in real life, our childhood experiences may shape our future but do not necessarily define them. Aptly titled ‘Bubot,’ the first set of Virgin Labfest’s 20th season immerses us in stories mostly associated with our formative years. Bubot—a term closely tied to immaturity and underdevelopment—captures a moment that once existed, before and during our early teens. This set forces us to revisit a time repressed by college and work, resurfacing memories indiscriminately: the good, the bad, and the so-so.

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