Some have pointed out the mawkishness of ‘Rental Family’ — too sentimental, people-pleaser, and even unrealistic. But these points, the wholesomeness, and its ability to shed a tear make it great, easy to appreciate, love, and rewatch.

Sana Sinabi Mo’ proves that love and religion are a game of tug-of-war. Even when faith tests loyalty, love persists across time and distance.

‘Meet, Greet & Bye’ genuinely adds up to the important discussions of morality, love, and our decisions. When we make the most difficult choices of our lives for our loved ones, it is important to ask, “Is this what they would want, or a personal bearing?”

‘Open Endings ’ shows an in-depth understanding of systemic restraints, which reflect on the real-life struggles of queer women navigating their places through love, acceptance, and friendship.

 ‘One Hit Wonder’ captures the imperfections of finding the right person at the right time despite the burden of distance, the gravity of passion, and the uncertainties of youth.

‘How to Get Away From My Toxic Family’ reveals how religious hypocrisy and utang na loob culture reshape the lives of OFWs, as their sacrifices are belittled.

‘Strange Frequencies: Taiwan Killer Hospital’ offers a new perspective to cater to the field of horror films with clever characterization tactics and technical modernization.