Ryan Oquiza

‘Materialists' doesn't break new ground, but it's a necessary reminder of what we're allowing the system to extract from us: our ability to measure love by how it feels, not by what it costs.

In a film filled with excessive violence and horniness, director Emma Seligman says, "To hell with it.” Men have dominated this genre; now it's queer women's turn to get a slice of the cake, and eat it too.

Barbie underutilized a beautiful paradox: the younger Sasha outgrows Barbie, while the older Gloria finds solace in her. In this odd ballet of circumstances, Barbie is the cord connecting generations.

The tragedy of ‘Fanny’ is that they arrived too early and then arrived too late, but this documentary doesn’t offer a tale of wrong timing, but rather, a heartwarming ode to one of the forgotten pioneers of rock & roll.

‘The Batman’ creates a desolate environment that inhales fear and exhales vengeance, inviting us to deconstruct an erratic and tortured hero like we’ve never seen before.

‘Moral’ is an important piece of the feminist art in the country. It is a daring portrait of four women, each navigating the Filipino working and domestic life through the prism of a patriarchal society.