In ‘Eddington,’ Ari Aster stages the pandemic we all know too well with blunt clarity: what seem like jabs are really tiny snapshots of reality, moments that, in hindsight, are as frustratingly silly as they are true.

‘Materialists' doesn't break new ground, but it's a necessary reminder of what we're allowing the system to extract from us: our ability to measure love by how it feels, not by what it costs.

‘The Fantastic Four: First Steps’ had the potential to be great, but it plays things a little too safe. While the foundation is solid, better pacing and deeper character development would’ve made this film truly fantastic.